Tame One, Da Ol’ Jersey bastard, the former Artifacts member, now reppin the Weathermen, this Newark, NJ native has over 25 years in the rap game. He has recorded a PCP themed album with Cage, an album with Del the Funkee Homosapien and his songs have been used in three Animal videos for Butcher’s sections. The most recent of which is an exclusive track he recorded for the new Animal video Cuts. If that doesn’t get you interested then I don’t know……subject matter touches on what them grimy east coast vets already know: substance abuse and PCP addiction, graffiti, dirty Jerz, being broke, triflin hoes, etc.
Check out his new free download album here
Jedi Mind Tricks’ underground rap icon has finally released his first solo album. After almost 20 years in the game, still grimy, still gritty, still real. Showcasing his versatility like never before with a backdrop of production from some of the underground’s finest, Paz shows he is a true lyricist. Pick this up here
Prashant Gopal hooked us up with a bunch of issues of Yo Sick zine a while back and now issues 6 and 7 have been printed up. Hit CapitalBMX for more info. Prashant is always up for zine trades. Check em out!
Burns & Ferbet released this glob of an edit right before leaving for FBM’s 3rd annual Gypsy Caravan tour. No clue where they’re at, but I know the Team Major Air guys are currently getting weird in Boston. Watch out for flying Four Loko cans & assorted smoke clouds at various Northeast spots throughout the week, and pick up Surfin’ For The Ugly Broads at your local shop.
More old school magazine scans thanks to Ed Koenning. Dave Vanderspek and the Curb Dogs were the shit in 1985.
Doing things on bikes that Wally and the Beav never dreamed of…? Uhm, okay.
Our little trivia contest a while back asked what song Dave Osato rode to in BMX-MEN. I included that question knowing that it would be a tough track to find, not to mention his section is one of my all time favorites.
For those unfamiliar, BMX-MEN was released in 1996 as one of the Poorboy videos. We wanted to post the whole video, but my copy of the video has seen better days. Instead here’s a few of the sections I was able to salvage:
Go to PropsBMX.tv for more videos.
What is it about Salt Lake City that makes people crazy? Whatever it is, keep doing it. It’s fun to watch. These 2 videos made the internet a radder place today…
Also, it’s funny that the Lizard King’s dad always encouraged him to be a bmxer, so he became a skater. These punk kids these days. Apparently he’s a pretty good rider, and can do handrails and stuff. Dave Thompson, on the other hand, there’s no questioning he’s good at bikes.
Eric Block serves up some tips for dialing your web videos:
In today’s media hungry BMX industry, people cannot get enough of the web edit. If you
arenʼt putting out an edit a week, it seems, you can forget about kids buying your new
whatever, made of post welded, heat treated molecular bonded beeʼs wax coated air
pressurized 4treated cro-mo steel, or getting that hook up from that new energy drink
manufacturer trying to market to the X-treme geners market.
That being said, you canʼt go at this half assed, buddy. With Woodward offering classes
on video and every kid on your street walking around with a three thousand dollar HD
Nikon 5472KR, you best be on your filming game. Just peruse the comments of The
Come Up; half of the disses are on the filming. Riding is secondary in this day of high
So, to help you attain Joe Simon like status, here are some basic rules to follow when
making your next edit of broʼs throwing their bars off that gnarly four set outside of your
1. Select your song to edit to. Street should get some hip hop to show that you are
hood. It doesnʼt matter that you are from a small town in Wyoming. People need to
know you are tough. If itʼs a trails edit, pick a nice feel good song that expresses having
fun with friends. Stay away from angsty stuff, being in the woods should be all good
2. Make an appropriate intro: Getting right to the riding is like skipping foreplay with your
lady. You gotta get your viewer worked up. Street edits should have multiple shots of
dudes missing tailwhips, falling off rails, etc. Show the viewer that the riders worked for
it. No-one likes robots. If you are shooting trails, make sure you show dudes watering
the lips and berms. You need to demonstrate etiquette. For extra points, a small grill
with some veggie friendly food is a good idea. If you want to be edgy, show em smoking
3. Now that the intro is in place, we can start showing some real riding. Street stuff
should start pretty basic. Maybe up a five rail to barspin. Nothing too tech or too big.
Trails should be some blurry artsy shots of unrecognizable dudeʼs flowing a set.
4. Now we can get into the real stuff. Street should get super tech. Link up two separate
ledges by tossing in a bunnyhop trick between them. If you ainʼt throwing the bars or
whipping the frame, why are you even here? Trails needs to be a little more subtle. Try
and stick to the four Tʼs (tables, turndowns, toboggans, and threeʼs). You want to make
sure it doesnʼt look like you are prepping for the Dewd Tour.
5. Time to end this sucker. select a good banger. Street dudes should be doing four
different tricks across a ledge. Trail dudes can just do a nice train transfer of some
stylish kick outs. Just look happy.
6. Remember, if you havenʼt figured it out yet, donʼt do a park edit. Those are for kids in
nice neighborhoods training to be the next X-games robot. Keep it real, son!
The first full length Devo album in 20 years, “Something For Everybody”, is available today. What I’ve heard so far sounds really good. From 11 a.m to 8 p.m. PST they will be streaming the entire album as the soundtrack to a live cat party. Tune in live to see 20 cats getting down to the new DEVO album for 9 whole hours. Cats + Devo = Mass Appeal. http://www.ustream.tv/devo